
Mildred Bailey |

W C Handy |

Mississippi John Hurt |

Blue Lu Barker |

Sleepy John Estes |

Robert Nighthawk |

J. B. Hutto |
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Featured album ... Hometown Blues |
Mary Stokes Band: Ireland's foremost award winning Blues Band, 30+ years established international reputation, performing with Blues Greats - John Lee Hooker, BB King, Taj Mahal, Bo Diddley, Fats Domino & many more; Blues Festivals & Venues across Ireland, USA, Europe; Over 10 album releases.
Significantly, this is an acoustic album, with Irish instruments on some songs, and available to download or to order as an limited edition CDs from our Bandcamp site, see the link on our (PD Productions) website. |
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Back to the Roots of the Blues ... Backtracking
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Latest release 7th Aug 2025 - Thank you for visiting with us, we cordially invite you to review and download the current production below. 'Backtracking' is a result of our research a journey of discovery that never ends, our love of the Blues and respect for the artists that left us this legacy of music.
All this simply because the music, the history and the culture of the blues never ends. We're honoured and privileged to share the music within the genre of the Blues back in time a hundred years and beyond, a genre so vast and so diverse.
Backtracking is streamed online and is broadcast worldwide. It's free to join the 'Backtracking' time machine - Get the authentic blues on your radio station ..... |
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Featured artist of the week ..... Charlie Spand
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Charlie Spand (1893 – after 1958) was a blues and boogie-woogie pianist noted for his barrelhouse style, infact, he was deemed one of the most influential piano players of the 1920s. Little is known of his life outside of music, his playing has stylistic links to the Birmingham pianists. Charlie’s recordings have long been recognised by both blues and jazz enthusiasts as a special vintage of African-American music, a combination of a blues poet, notable for his carefully thought-out lyrics, with inspired piano playing is indeed irresistible.
There has been speculation about Charlie’s place of birth, a claim he was born in Elljay, Georgia, a song he wrote, Alabama Blues, refers to his birth in that part of the country.
Charlie was one of the original boogie-woogie pianists, including William Ezell and others, who performed on Brady Street and Hastings Street in Detroit, in the 1920s
Charlie recorded 25 songs 1929 and 1931.The 1929 Richmond sessions recorded seven songs with guitar accompaniment to his piano playing and singing. Most of these were directly attributed to Blind Blake.
After a gap in his recording career, in June 1940 Charlie recorded what were to be his final eight tracks, during this session Charlie was backed by Little Son Joe and Big Bill Broonzy. After these recordings were made, the story of Charlie goes cold
Beyond this recording session there exists a record that we lost him sometime after 1958 but there is some doubt about the actual date. |
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Appalachian blues ... comes in a variety of styles, from vaudeville, piano blues and boogie, string-band dance blues, guitar and harmonica-based down-home blues, ragtime blues, East Coast rhythm and blues, and so-called White Mountain blues. Artists include people such as Bessie Smith, Cripple Clarence Lofton, Cow Cow Davenport, Pinetop Smith, Josh White, Reverend Gary Davis, Jaybird Coleman, Luke Jordan, Dinah Washington, and James Brown.
The Appalachian Mountains cut diagonally across the Eastern United States from New York to Mississippi, with Appalachian counties in thirteen states. The general consensus, why the ‘Blues’ have never, or took so long to emerge from this region seems to be , in contrast with the cotton belt of the Deep South, there wasn't a sufficient black population in the mountains to sustain a viable blues tradition.
Unfortunately, there are many documented artists that never had a chance to record, and they remain ‘unknown except in the memory of musicians who happened to have been around at the time. They recall a thriving blues tradition, even though the anecdotal evidence appears to indicate the opposite. It could be argued that the extent of recording is simply a question of whether or not record companies wanted to expend cost and the energy to seek out musicians in such relatively inaccessible environments and what they chose to record once they got there. |
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Every day we have the blues ..... PD Productions Review / Download ...
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Featured -
Swamp pop |
Swamp pop originated around 1955. The Cajuns and black Creoles who pioneered the sound were generally born between 1935 and 1940, when mainstream American culture and values were taking the place of local folk traditions, including 'old-time' accordion and fiddle music.
Although many swamp musicians played Cajun and black Creole music as children, they generally regarded the music of their parents and grandparents as outmoded to be replaced by the new, more urban sounds of R&B and early rock ‘n’ roll.
A fairly obscure genre, swamp pop maintains a large audience in its south Louisiana and southeast Texas homeland, and a small but passionate cult following in the UK, and Northern Europe. Direct from the US, with Rob and Dee, we’re delighted to be streaming this great production: |
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Myths and Legends of the blues ..... Follow the Drinking Gourd
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Follow the Drinking Gourd is an African-American folk song first formally published in 1928. There is however reference to the words in poem / written form long before that as a spiritual.
The ‘drinking gourd’ in this context is another name for the Big Dipper asterism. Popular legend has it that enslaved people in the United States used it as a point of reference so they would not get lost during their journey of escape to the North and to freedom. The Drinking Gourd describes a trail from Mobile, Alabama to Paducah, Kentucky. From Paducah, slaves could cross the Ohio River to the Free states.
According to the same legend, the song was used by a conductor of the Underground Railroad, called Peg Leg Joe, to guide some fugitive slaves; many of the lyrics are simply cartographic directions to advise the runaways on their escape route. While the song may possibly refer to some lost fragment of history, the true origin and context is effective lost in the mists of time and remains a mystery. |
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