Latest update: ... Thursday 5th February 2026.
Every day we have the Blues .... Backtracking to the Roots of the Blues - Back, to where it all began ...

Legendary blues artists

Mildred Bailey
 

W C Handy
 

Mississippi John Hurt

Blue Lu Barker
 

Sleepy John Estes
 

Robert Nighthawk
 

J. B. Hutto
 
       
   

Back to the Roots of the Blues ... Backtracking
Latest release 5th February 2026 - Thank you for visiting with us, we cordially invite you to review and download the current production below. 'Backtracking' is a result of our research a journey of discovery that never ends, our love of the Blues and respect for the artists that left us this legacy of music.

All this simply because the music, the history and the culture of the blues never ends. We're honoured and privileged to share the music within the genre of the Blues back in time a hundred years and beyond, a genre so vast and so diverse.

Backtracking is streamed online and is broadcast worldwide. It's free to join the 'Backtracking' time machine - Get the authentic blues on your radio station .....
 
Backtracking directory..
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    Backtracking: Featured artist of the week
    Backtracking archive 2026 (Download)
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Featured artist of the week .... Jazz Gillum
William McKinley 'JazzGillum (September 11, 1902 or 1904 – March 29, 1966) was an blues harmonica player and singer.

William away from home at age seven and for the next few years lived in Charleston, Mississippi, working and playing for tips on street corners. In 1923 he moved to Chicago, where he met Big Bill Broonzy, together they started working at nightclubs around the city. By 1934 William was recording for both ARC and Bluebird Records.

William's recordings, under his own name and as a sideman, were included on many of the Bluebird beat recordings produced in the 1930s and 1940s. In 1940, he was the first to record what has now become the blues classic Key to the Highway utilising the now-standard melody and eight-bar blues arrangement. (The song had first been recorded a few months earlier by Charlie Segar, with a different melody and a 12-bar blues arrangement.) William's version of the song was covered by Broonzy a few months later, and his version has become the standard the song.

William's records were some of the earliest featuring blues with electric guitar accompaniment, when the 16-year-old jazz guitarist George Barnes played on several songs on William's 1938 session that produced Reefer Headed Woman and others.

After the Bluebird label folded in the late 1940s, he made few recordings. His last recordings were on a couple of 1961 albums with Memphis Slim and Arbee Stidham,

On March 29, 1966, Gillum was shot in the head during a street argument and was pronounced dead on arrival at Garfield Park Hospital, in Chicago
 
 
 
    Jazz Gillum - Look on yonder wall
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Different shades of blue ... Piedmont Blues
 

We’ve all got our favourites or styles that we tend to lean towards, Piedmont blues sits for me as do a couple of Piedmont artists such as the Rev Gary Davis, Blind Blake and Sonny Terry. Elizabeth Cotton’s Freight Train is categorised as indeed a Piedmont track and is for me one of the best and easily recognised fingerpicking guitar tunes.

The specific style (also known as East Coast, or South-Eastern blues) refers primarily to a guitar style that may be said to be comparable to the sound of a ragtime piano. How would that sit with you?

The style is characterised by intricate fingerpicking in which the thumb alternates bass strings in a rhythmic pattern the treble strings. The syncopated guitar style connects closely with the traditional earlier string-band tradition that we at PD are so familiar with, integrating ragtime, blues, and country dance songs.

​The style originated in the Piedmont region of the United States, the hilly area which lies between the Atlantic Coastal Plain and the Appalachian Mountains from central Georgia to central Virginia.  Played by both white and black musicians, it is a regional folk music that remains to this day.

Warner Williams and Eddie Pennington - There's a big bug in my beer
Download - There's a big bug in my beer
 
   
Get in touch, How to contact ... PD Productions
 
  Email: PD Productions. Click here
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Facebook ... From the archives
From the PD Productions archives, we're blowing the dust off tracks that don't appear on Backtracking as much as they should...
This time: Bessie-Smith - Dixie Flyer Blues

Check it out / Click and load
 
 
 
Every day we have the blues ..... PD Productions Video archive...
Welcome to the PD Productions video archive. We are delighted to receive video clips from our very good friends around the world to include in our 'Backtracking' program. Below is a list of the clips scheduled for the next few weeks ...  
   
  The Staple Singers - I'll Take You There
  47th Street Jive - June Richmond with Roy Milton's band
  B. B. King - The Thrill Is Gone
  Diunna Greenleaf & Blue Mercy
  Nina Simone - Ain't got no, I got life
  Raymunda Dutch Blues - Pity the fool
  Take Me to the River LIVE - Sharde Thomas and Rising Star
  Send us a video clip of your gig (mp4 format) - Click here
 
   
Current clip: ....Delta Gator Swamp Blues  
   
Play the current video clip  
Legal / Copyright stuff  
   
Myths and Legends of the blues ..... Henry Qualls

Henry Qualls (born July 8, 1934 – died December 7, 2003) was an American Texas and country blues guitarist and singer. He became famous later in his life when he was 're-discovered' in 1993 by the Dallas Blues Society. His only music album was released in 1994. After which, he travelled around the world, playing at music festivals.

The Dallas Observer newspaper reported that Henry was a purist's dream-come-true, meaning he played blues music in a very traditional and pure way. In addition to his own material he played covers of other blues artists such as Jimmy Reed and Lowell Fulson. People said his guitar playing was powerful, like the old blues masters such as Son House.

   
Henry Qualls - Can t stand to see you go  
Download: - Can t stand to see you go  
A bit more about Henry (PDF)  
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