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| Featured album ... Me and Mr Johnson |
In my collection / studio there are literally hundreds of albums and thousands of tracks, in my car, just one - 'Me and Mr Johnson'.
Respectfully, and at the risk of being labelled a blues philistine, Mr Clapton isn't really at the top of my tree when it comes to the many blues artists, preferring, as I do, the more, earlier ones. However, this album a cover of Robert Johnson's songs is something special. If this one isn't in your collection, it should be. |
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Back to the Roots of the Blues ... Backtracking
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Latest release 20th Nov 2025 - Thank you for visiting with us, we cordially invite you to review and download the current production below. 'Backtracking' is a result of our research a journey of discovery that never ends, our love of the Blues and respect for the artists that left us this legacy of music.
All this simply because the music, the history and the culture of the blues never ends. We're honoured and privileged to share the music within the genre of the Blues back in time a hundred years and beyond, a genre so vast and so diverse.
Backtracking is streamed online and is broadcast worldwide. It's free to join the 'Backtracking' time machine - Get the authentic blues on your radio station ..... |
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Featured artist of the week .... Garfield Akers
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Garfield Akers (possibly born James Garfield Echols, probably 1908 – c. 1959) He in addition, he occasionally performed under the name ‘Garfield Partee’. Garfield remains a shadowy figure; knowledge of his life is based almost entirely on reports of a few contemporary witnesses.
The extent of his recordings consists of just four sides, which are nonetheless historically significant. His most well-known song was his debut single "Cottonfield Blues", based on a song performed by Texas blues musician Henry Thomas.
Also in the 1920s, he met guitarist Joe Callicott, with whom he played well into his 40s and who was his second guitarist. they performed on weekends in the Hernando neither were professional musicians. They rarely played outside the Hernando area; they avoided the Mississippi Delta, the real heartland of Mississippi blues, they took a view it was too dangerous for them there and their local popularity in Hernando ensured better income for less effort.
Cottonfield Blues" was Garfield’s' trademark tune, which he had practiced continually on his own as well as with Joe Callicott since about 1926/27; the recording accordingly clearly illustrates how well the Akers/Callicott team was attuned to each other. Garfield’s second recording, was in February 1930, , consisting of Jumpin and Shoutin' Blues / Dough Roller Blues, the latter being a variation of Hambone Willie Newbern's Roll and Tumble. Here, due to the close playing of the two, it is hard to say for sure if Callicott was present as a second guitarist. He is not mentioned, but claimed this himself in an interview. Also, at this session, Joe Callicott recorded his only contemporary release as a soloist, "Travelling Mama Blues", for which Akers is credited as the author.
In the 1940s, Akers and Callicott ended their musical work together, and Akers moved to Memphis, and worked in a flour mill. He often played weekends on Beale Street and performed around Memphis in juke joints. There are conflicting accounts about the date of his death, most often giving the year 1959, Only a few years after his death, in 1962, the compilation Really! The Country Blues 1927-1933 was released and included both parts of Garfield’s Cottonfield Blues. |
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The classic Misty was composed in 1954 by Erroll Garner as an instrumental. He said he developed the melody on a long flight, inspired by the view of clouds and thoughts of his wife. As he was unable to write or read music, he committed it to memory until he could get home and record it for transcription. Erroll recorded the song with his trio, and it was included in his 1954 album Contrasts. 'Misty' quickly became a popular jazz standard, and hundreds of instrumental interpretations have been recorded.
Johnny Burke was a successful, prolific and award-winning lyricist in the 1930s through the 1950s. He wrote a string of hits with Jimmy Van Heusen, including songs for several Bing Crosby movies. Together they won an Academy Award in 1944 for 'Swinging on a Star' for the Crosby film Going My Way. With its nearly two-octave range and melancholy feel, 'Misty' presented a complicated task of adding lyrics. Burke took on the challenge in 1955 and created the now-familiar lyrics in just a few hours. He captured the splendor of being in love and did that without changing a note, while being bound by an already-popular title. |
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Get in touch, How to contact ... PD Productions
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Every day we have the blues ..... PD Productions Video archive...
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| Welcome to the PD Productions video archive. We are delighted to receive video clips from our very good friends around the world to include in our 'Backtracking' program. Below is a list of the clips scheduled for the next few weeks ... |
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The Staple Singers - I'll Take You There |
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47th Street Jive - June Richmond with Roy Milton's band |
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B. B. King - The Thrill Is Gone |
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Diunna Greenleaf & Blue Mercy |
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Nina Simone - Ain't got no, I got life |
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Raymunda Dutch Blues - Pity the fool |
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Take Me to the River LIVE - Sharde Thomas and Rising Star |
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Send us a video clip of your gig (mp4 format) - Click here |
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| Current clip: ....Otis Spann - T'Aint nobody's business if I do |
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| Play the current video clip |
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| Legal / Copyright stuff |
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Myths and Legends of the blues ..... The legend of John Henry
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As the story goes, John Henry was hired as a steel driver for the railroad. Later, the railroad company brought in a steam drill to speed up work on the tunnel. It was said that the steam drill could drill faster than any man. The challenge was on, man against machine. John Henry was known as the strongest, the fastest, and the most powerful man working on the railroad. He went up against the steam drill to prove that the black worker could drill a hole through the rock farther and faster than the drill could. Using two 10-pound hammers, one in each hand, he pounded the drill so fast and so hard that he drilled a 14- foot hole into the rock. The legend says that
the drill was only able to drill nine feet. John Henry beat the steam drill but later died of exhaustion.
The Great Bend Tunnel was completed on September 12, 1872, and remained in service until 1974. The tunnel and the man have been cemented into the annals of time through The Ballad of John Henry. The song tells of a boy born with a hammer in his hand. It tells of a man who worked as a steel driver during the construction of the Great Bend Tunnel. It tells us that this man took a hammer in each hand to face down a steam-powered drilling machine. John Henry promised, If I can't beat this steam drill down, I'll die with this hammer in my hand! At the Great Bend Tunnel, John Henry became one of the world’s great folk heroes. |
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